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La boletería solidaria

Kamari Carter & Gladstone Deluxe "Codes"

Oracle Egg
Los Angeles, CA

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Fecha

Dic 13, 2025 8:00 PM

Nivel de admisión	Precio	Cantidad
Student with ID	$10.00 ($12.09 con tarifa de servicio)
General	$20.00 ($22.69 con tarifa de servicio)

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(Estados Unidos - Cambiar país)

Evento

Name: Kamari Carter & Gladstone Deluxe "Codes"
Start: 2025-12-13T20:00
End: 2025-12-13T22:00
Location: Oracle Egg

Kamari Carter & Gladstone Deluxe "Codes"

Codes is a collaboration between Kamari Carter and Gladstone Deluxe that features an audio-visual durational performance using data extracted from live police scanner transmissions as material for musical exploration. Deriving from Carters research-oriented practice on policing, incarceration, Black aesthetics, and surveillance, and Deluxes haptic, Afrological and techno-inspired analog compositions, Codes works towards a synthesis and seeks to elevate the obfuscated. Given our current political climate, policing both of the body and of our country has become heightened to an unprecedented level. As artists of color we believe it is our responsibility to address the world around us, which has been and will continue to be a driving force both in our artistic and compositional practices.

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Kamari Carter is a New York-based artist working primarily with sound, video, installation, and performance. His practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception, Carters work seeks to expand narrative structures through sonic stillness and found objects. Carter holds a BFA from California Institute of the Arts (CalArts) and an MFA from Columbia University. Kamari Carter is represented by Microscope Gallery in New York City.

Gladstone Deluxe is a New York based artist working with percussion and electronics. As a percussionist, Gladstone is interested in how conceptions and politics of time are embodied, and can bleed into the social topography of a culture through rhythmic performance. As a technologist, he develops systems for the augmentation and amplification of percussive messages. His experimental approach towards composition and interface design is a collision of the spiritual and the cybernetic.