|
Evento
Meatbodies w/ Spoon Benders
Within the fertile West Coast rock scene of the 2010s, Meatbodies Chad Ubovich was a perennial candidate for MVP. Over the course of the decade, the Los Angeles native could be seen peeling off guitar solos in Mikal Cronins backing band, supplying the Sabbath-sized low end for Ty Segall and Charlie Moothart as the bassist for Fuzz, and, of course, fronting his own Meatbodies. That recently dormant noise-damaged freak-rock outfit now returns with 333, a corrosive stew of guitar scuzz, raw acoustic rave-ups, and primitive electronics. That acidic mix didnt come from nowhere. Because the downside to maintaining such a prolific work rate is that the threat of burnout becomes a looming occupational hazard, and after touring behind Meatbodies second album, 2017s Alice, Ubovich finally hit his breaking point.
Id been touring for eight years straight with all these bands, and just couldn't do it anymore, he says. There was also a feeling in the air that everything was changing, politically. Things just didn't feel right, and I went down a dark path.
Fortunately, Ubovich was able to pull himself back from the brink and, upon getting sober, began writing and recording at a furious pace. By mid to late 2019, MeatbodiesUbovich and drummer Dylan Fujiokahad a new album in the can, ready to be mixed. But when COVID hit, the band, like so many other artists, put their release on hold as they rode out the pandemics first wave. During that idle time, Ubovich discovered a cache of demos that he and Fujioka had recorded in a bedroom back in the summer of 2018, and he really liked what he heard. In contrast to Meatbodies typical full-band attack, it was deliriously disordered. It sounded gross, like a scary Magical Mystery Tour, he recalls proudly. After subjecting them to some mixing-board freakery, Ubovich fast-tracked the songs into becoming Meatbodies third release, 333.
While 333 charts Ubovichs journey from drug-induced darkness to clear-eyed sobriety, it also reflects how the world he re-entered was still pretty messed upif not more so. That psychic tug-of-war plays out on the opening Reach for the Sunn whose distorted slow-motion creep leads to a chorus both celebratory and dispiriting: Reach for the stars/reach for the sun/reach for the trigger/reach for the gun. In writing these songs, Ubovich realized that he wasnt so much singing about his own path, but something much greater than himself. "These lyrics are dark, but I think these are things that people everywhere are feeling and going through he says. Here in America, were watching the fall of U.S. capitalism, and 333 is a cartoonish representation of that decline.
But as much as it speaks to the disillusionment of a lost generation, 333 also abounds with the innovation that limited resources can inspire. To set the Zeppelin III-styled pagan-campfire jam Let Go (333) in motion, Ubovich tapped out the beat with drumsticks on his pillow, while Nighttime Hidden Faces melds two completely different demos together, steering its Stereolab synth drones into a mind-bending boogie worthy of Royal Trux. The instrumental Eye Eraser might be 333s greatest example of hermetic ingenuitywhat may have turned into a shoegaze rager is instead rendered as a blissful union of brain-fogging fuzz and minimalist electro beats.
Ironically, by working within a tighter lo-fi schematic on 333, Meatbodies have greatly expanded their palette, opening new portals to explore. And yet for all its free-ranging experimentation, 333 arrives at a tidy, full-circle conclusion with the sundazed serenade, The Hero, a song that Ubovich sees as a logical bookend to the opener. As he explains: One is the id, one is the super-ego, Although I dont know which is which. They're both very sardonic and defeatist in a lot of ways, but The Hero is supposed to be a little funnier, laughing at everything. Hes earned the right to a chuckle: For an album that wasnt supposed to exist, 333 is the ultimate testament to Meatbodies renewed vitality.
Meatbodies will be joined by Spoon Benders as openers.
|
|
 |
UbicaciónThe Quarry Bisbee (Ver)
40 Brewery Ave
Bisbee, AZ 85603
United States
El mapa se está cargando...
Categorías
| Apropiado para niños: Sí |
| Se aceptan perros: Sí |
| No fumar: Sí |
| Accesible a silla de ruedas: Sí |
|
Contacto
Accesibilidad
ADA compliant entrance and access
|
