Evento

The Exorcist

A desperate mother becomes torn between science and religion when her 12-year-old daughter begins to exhibit signs of a devilish new persona. She turns to a troubled priest struggling with his own faith, for help.

"Though Ive always admired horror as a film genre . . . Ive never found it especially scary. . . . Im more frightened by the threat of unemployment or climate change real life, in other words. But William Friedkins 1973 masterpiece frightens precisely because it channels cinéma vérité to feast upon everything fetid in our culture then and now: Freud, corrupt leadership, economic inequality, dysfunctional nuclear families, and misogyny, not to mention the Catholic Church." Lisa Rosman, Signs and Sirens

"As the drama of The Exorcist is more or less a classically fashioned chamber piece, Friedkin infuses the film with his drastically stylized mise-en-scène and coarseness to heighten the atmosphere into a metaphysical state of mind, declaring a bold, yet ruthless, new mainstream artistry." - Slant