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Evento
Parable, by Jon Jost
Sunday, March 24, 2013, 7:30 pm
Los Angeles Filmforum presents:
Parable, by Jon Jost
Los Angeles premiere!
With filmmaker Jon Jost in person!
At the Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd., Los Angeles CA 90028
Tickets: $10 general, $6 students/seniors; free for Filmforum members. Available by credit card in advance from Brown Paper Tickets at or by cash or check at the door.
Parable (2008, Digital Video, Color, Sound, 72 min.)
Producer, Director, Cinematographer: Jon Jost
Editing and Sound Recording: Marcella Di Palo Jost with J. Jost
With: Stephen Taylor, Rachael Le Valley, Ryan Harper Gray, Tyler Messner, Kim Matthews, John Grasmick
Nebraska, 2007.
A parable of the Bush era; swiftly jumping genres, a cowboy surrogate/Bush is thrown out of his house, is picked up by a man who needs a driver, buddy-bonds with him, they sing a Christian camp song, do a robbery and killing, and cowboy then rapes and shoots his new buddy. We arrive in a bucolic farm where a woman is kept on a rope, a man attempts to untie a knotted rope; and after a long and weird interlude including some heavy breathing, the cowboy arrives, seduces and is screwing the woman, and is killed and dumped with other bodies from Abu Ghraib.
PARABLE works on a visual and visceral level for which a synoptic summary is impossible. It is a reflection of The Time of Bush in America, a squalid period of corruption equal to our country's worst, or, as if possible, even the worst. The film tackles this era with a melange of genres typical of our culture, a culture which distills in reality down to cartoons and in which a trajectory from domestic melodrama leads axiomatically to Abu Ghraib. PARABLE is history as farce, an American tragedy limned by the Flintstones and Simpsons, where seriousness has been subsumed by "reality TV," and the populace has been reduced to zombie-like consumers busy eating themselves.
Read Dennis Grunes' review at http://www.jon-jost.com/work/parable2.html
Preceded by the LA Premiere of the short film A Walk Through Waseda Garden
JON JOST
Born in Chicago on May 16, 1943, of a military family, Jon Jost grew up in Georgia, Kansas, Japan, Italy, Germany and Virginia. Expelled from college in 1962, he began making 16mm films in January, 1963. He is self-taught. He has made some 20+ shorts and 14 feature length films on celluloid, 16 and 35mm, all of which he has conceived, written, photographed, directed and edited; most of these he also produced. Since 1996 he has worked only in Digital Video (DV), completing 18 full-length works and many shorts, as well as one large-scale 7 screen installation work, TRINITY, presented at the ZKM, Karlsruhe Germany, in this medium as of 2009.
After 10 years of making short works, Jost made his first feature-length film in 1974, and since devoted himself to the making of a wide-ranging series of films, largely focused on specifically American topics, in forms ranging from essays (Speaking Directly, Stagefright, Plain Talk & Common Sense), to fictions (Last Chants for a Slow Dance; Bell Diamond) to documentaries (Nas Correntes De Luz da Ria Formosa, London Brief) and hybrids such as Angel City. In Digital Video his work shifted to include highly abstract works such as Passages, Trinity and Dissonance
His work has shown widely in museums, film archives, and festivals since 1975. Most recently his films were accorded full retrospectives at the Cinemateca Portuguese (1996) and the Filmoteca Español (1997), and in 2006 the Buenos Aires Independent Festival accorded his work a partial retrospective. He has been regularly invited to major film festivals with new work, including Venice (2004), Rotterdam (2008), Berlin, Toronto, London, Edinburgh, Sydney, Yamagata, Jeonju, Singapore, and many others.
Jost's recent work, HOMECOMING, was shown at the Venice Film Festival, Cinema Digitale section, in Sept. 2004, and then was shown at the Rotterdam festival in January 2005, as well as being in competition at Jeon Ju, Korea. Since 2006 his works, PASSAGES, LA LUNGA OMBRA, and OVER HERE were screened at the Rotterdam Festival, and subsequently at Jeon Ju, Warsaw, Frankfurt, Split, San Jose Maverick and other festivals. His most recent film, Imagens de uma cidade perdida was shown in Rotterdam and in competition at the Yamagata documentary festival in Japan in Oct 2011.
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This program is supported by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission; the Department of Cultural Affairs, City of Los Angeles; the Andy Warhol Foundation for the Visual Arts; and the Mike Kelley Foundation for the Arts. Additional support generously provided by American Cinematheque. We also depend on our members, ticket buyers, and individual donors.
Los Angeles Filmforum is the city's longest-running organization screening experimental and avant-garde film and video art, documentaries, and experimental animation. 2013 is our 38th year
Memberships available, $70 single, $105 dual, or $50 single student
Contact us at lafilmforum@yahoo.com. www.lafilmforum.org
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UbicaciónSpielberg Theater at the Egyptian (Ver)
6712 Hollywood Blvd.
Los Angeles, CA 90028
United States
Categorías
| Apropiado para niños: No |
| Se aceptan perros: No |
| No fumar: Sí |
| Accesible a silla de ruedas: Sí |
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Contacto
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