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Lost Lakes is a collaboration between Corey Mathew Hart and Paul Mitch. The two met during a songwriting competition held by a local radio station. It wasn't until they returned for a duets portion of the follow year's competition that Corey saw Paul play bass and singing harmonies. The first time Corey and Paul played together, they clicked musically and personally. The collaboration has grown over the years, developing into a strong songwriting and production team with a focus on well-crafted tunes and tight vocal harmonies. Lost Lakes' self-titled debut record bears witness to their talents and the fact the whole can be greater than the sum of its parts.
Recorded over a 9 month period, the recording process was a labor of love. Paul and Corey produced the record and enlisted percussionist Shane Leonard (Field Report, The Stray Birds) along with longtime bandmate Rusty Lee on keyboards to fill out the sound. The project was recorded in a shared warehouse space called the Dojo. Many of the basic tracks were recorded live in 2 separate sessions with overdubs done in small Thursday night sessions. Being fairly porous to the outside elements, the temperature in the Dojo ranged from 41 degrees to well over 100 over the course of the project, adding a sense of adventure to the sessions. Being able to take their time for this project gave Corey and Paul a lot of freedom to try different sounds and arrangements for songs they have been playing live for a couple of years. With no pressure, no deadline, and a giant warehouse space filled with eclectic gear, the two managed to create a record of the highest quality.
When it came time to mix the album, Corey and Paul called on an old acquaintance, Grammy award winning engineer Justin Guip. The two had met Guip years ago when they opened for The Amy Helm (daughter of Levon Helm) at a Barn show in Spring Green, WI. Guip also happened to have just finished a record with the Stray Birds that Shane Leonard played percussion on. The past and present collided, and the timing couldn't have been better. Corey and Paul approached Guip about mixing the record and he was very excited about the songs and tracks that were laid down at the Dojo. Guip's aesthetic greatly aligned with the vision that Paul and Corey had for the record, and the result is a compelling masterpiece.
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Anna Vogelzang has been making songs since 2000, playing them in public since 2003, and driving them around the country since 2007. Her melody-driven, multi-instrumental folk-pop ballads have been met with warm reviews (9/10, PopMatters) & landed her at festivals, conferences, and on bills with some of her heroes, including Sara Bareilles, Gillian Welch, Mirah, Anais Mitchell, Laura Gibson, Wye Oak, Steve Poltz, Amanda Palmer, & many more. Anna is currently touring in support of the Driftless EP, a home-spun, steadfast collection of gritty new-folk songs, many of which were written in 2014 as part of the song-a-week project RealWomenRealSongs. In 2015, she will return to the studio to work with producer Todd Sickafoose on her fifth LP. Vogelzang plays the banjo, ukuleles, guitar, and kalimba on stage, but has always been a singer who loves words and feelings first and foremost.
Poster Design by Adria Kaufman
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UbicaciónThe Shitty Barn (Ver)
506 E Madison Street
Spring Green, WI 53588
United States
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