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Littoral: Joseph Keckler + Mac Wellman
BAM Fisher building, Hillman Studio
Brooklyn, NY
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Evento

Littoral: Joseph Keckler + Mac Wellman
PLEASE NOTE LOCATION CHANGE:
BAM Fisher building, Hillman Studio, 321 Ashland Place Brooklyn (Ft. Greene)

A Brooklyn Book Fair Bookend event, curated with Jason Napoli Brooks.

With a reception to follow on the roof deck.

Joseph Keckler is a Brooklyn-based singer, writer, and performance artist. His performance pieces and concerts have been presented by The New Museum, SXSW Music, Joe's Pub, La MaMa ETC, Amsterdam's Bellevue Theatre, and other venues. Joseph has received residencies from MacDowell and Yaddo and a 2012 NYFA Fellowship in Interdisciplinary Work.

Mac Wellman (born 1945) is an American playwright, author, and poet. Wellman is best known for his experimental work in the theater which rebels against theatrical conventions, often abandoning such traditional elements as plot and character altogether. His plays frequently resemble a moving collage of events which has more in common with an avant-garde dance production than Broadway-style theater.

Jason Napoli Brooks' fiction has appeared in various publications, including Ninth Letter and El Pais. He is the author of the internationally-distributed serial Cock of the Walk. He lives in New York City, where he has curated The Enclave Reading Series since 2006.

Established in 2006, ISSUE's Littoral program is a free public reading series spotlighting writers experimenting with new forms and approaches to poetry, fiction, and essays. Responding to a declining network of support for innovative experimental literature outside academic institutions, Littoral serves as a central hub for fostering cutting-edge writers, publishers, and literary journals.

Ubicación

BAM Fisher building, Hillman Studio (Ver)
321 Ashland Place
Brooklyn, NY 11217
United States

Categorías

Artes > Literaria
Artes > Performance

Apropiado para niños:
No fumar:
Accesible a silla de ruedas:

Contacto

Organizador: ISSUE Project Room
En BPT desde: Nov 29, 2010
 
Amirtha Kidambi


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