Evento

Stephen Kellogg & Tift Merritt

Stephen Kellogg was born November 28, 1976 in West Chester, PA. The musical urge started with a mixture of his dad's records (Cat Stevens/Jim Croce) and his sister's (Mötley Crüe/Bon Jovi). The songwriting of the former and the showmanship of the latter was the beginning of the musical attitude that pervades Stephen's work today. His shows are full of real cool energy and extemely tight musicianship.

Songstress Tift Merritt is a North Carolina native. Her father taught her guitar chords and Percy Sledge songs. With her longtime band, she has built a unique and critically acclaimed body of work of sonic short stories and poignant performances.

In her early twenties, though Tift had gigged by herself, she decided she was not very good at music and better suited for writing short stories. She and her dog Lucy started school at UNC to study creative writing. There, she met Zeke Hutchins, whose band had just taken a haitus and who had decided to become a school teacher. With his encouragement and a big box of LPs from the 70's that they both liked, they started a band. Zeke set drums up in the kitchen of Tift's farmhouse on the outskirts of town, and they practiced songs at her red piano. The Carbines played Chapel Hill haunts like the Cave, the Cat's Cradle, and the front porch of the General Store in Bynum, NC. Tift also made a guest appearance on the Two Dollar Pistols with Tift Merritt EP. In 2000, Tift won Merlefest's Chris Austin Songwriting contest, and with the help of Ryan Adams, found herself with a manager and a recording contract with Lost Highway records. The band headed to LA to record her first release, Bramble Rose, in 2002, produced by Ethan Johns. The record landed on Time Magazine's and New Yorker's top ten lists and was called the best debut of the year in any genre by the Associated Press. Tambourine followed in 2004. Produced by George Drakoulias, featuring Mike Campbell of the Hearbreakers on guitar, Tambourine was a soul-rock throw down, Grammy-nominated for Country Album of the Year, even though it was really not a country album.