Evento

Neverwhere

Richard Mayhew, a Scot living in London, encounters an injured girl named Door on the street one night. Despite his fiancée's protests he decides to help her; upon doing so he ceases to exist on Earth and becomes real only to the denizens of 'London Below', whose inhabitants are generally invisible and non-existent to the people of 'London Above'. He loses his house, his job and nearly his mind as he travels London Below in an attempt to make sense out of it all, find a way back, and help Door survive as she is hunted down by hired assassins.

In London Below the various familiar names of London all take on a new significance: for example Knightsbridge becomes "Night's Bridge", a stone bridge whose darkness takes its toll in human life; The Angel, Islington is an actual angel. London Below is a parallel world in and beneath the sewers. Its inhabitants are the homeless, but also people from other times, such as Roman legionaries and medieval monks, as well as fictional and fantastical characters.

Past reviews of Neverwhere:

"A brilliantly haunting tale with cracks of sparkling magic woven seamless into every element of the production, it's the most mystifying show you'll see all season." DC Metro Theatre Arts

"Attempting a stage edition of Neil Gaiman's Neverwhere (in its theatrical adaptation by Robert Kauzlaric) is, at the very least, ambitious. A cynic might call it borderline impossibleafter all, Neverwhere is the story of a man landed in the strange and fantastical darkness of London Below, where bizarre and frightening creatures emerge from the gap between the Tube train and platform. A giant pig haunts the sewers, and Knightsbridge is a bridge made of actual night. However, the play has managed to capture every drop of weirdness, humor, and fascination that the original novel and miniseries had in spades."
MD Theatre Guide

"The wild plot careens through a seedy underworld known as London Below Victorian assassins, fallen angels, a time-warp fop, pirates and prostitutes, plus helpful rats and huge scary beasts the apparitions seem never-ending."
Washington Post

Gaiman fans will leave thrilled they've seen their favorite tome or BBC series fleshed out so thoroughly. But fans of books alone don't sell out theaters: Brilliant, 3D productions do.
Washington City Paper